A Song for Aveline - Revision history

AndrewG: Added sort keys to categories

2012-10-16T13:48:05Z

Added sort keys to categories

AndrewG: Added categories

2012-10-13T12:40:34Z

Added categories

AndrewM at 20:31, 19 August 2012

2012-08-19T20:31:11Z

AndrewM at 20:30, 19 August 2012

2012-08-19T20:30:07Z

AndrewM at 20:23, 19 August 2012

2012-08-19T20:23:52Z

AndrewM at 20:21, 19 August 2012

2012-08-19T20:21:43Z

AndrewM at 19:57, 19 August 2012

2012-08-19T19:57:14Z

AndrewM at 19:55, 19 August 2012

2012-08-19T19:55:49Z

AndrewM: changed ball to revel

2012-08-19T19:44:21Z

changed ball to revel

AndrewM at 19:35, 19 August 2012

2012-08-19T19:35:57Z

@@ Line 68: / Line 68: @@
 Upon its end, Aveline's Song changes her story from cruel to kind, or at least to not as cruel, and she agrees to free the girl once the song is sung seven times in the seven villages surrounding her wood.  Once this was done, the girl and her father were reunited with much tears of joy, and to this day Aveline's Song is sung every Autumn so that Aveline keeps her word.
-[[Category:Stranggore Stories]]
+[[Category:Stranggore Stories|Song]]
-[[Category:Hywel Stories]]
+[[Category:Hywel Stories|Song]]
-[[Category:William Robert Stories]]
+[[Category:William Robert Stories|Song]]

← Older revision		Revision as of 12:40, 13 October 2012
Line 67:		Line 67:

	Upon its end, Aveline's Song changes her story from cruel to kind, or at least to not as cruel, and she agrees to free the girl once the song is sung seven times in the seven villages surrounding her wood. Once this was done, the girl and her father were reunited with much tears of joy, and to this day Aveline's Song is sung every Autumn so that Aveline keeps her word.		Upon its end, Aveline's Song changes her story from cruel to kind, or at least to not as cruel, and she agrees to free the girl once the song is sung seven times in the seven villages surrounding her wood. Once this was done, the girl and her father were reunited with much tears of joy, and to this day Aveline's Song is sung every Autumn so that Aveline keeps her word.
		+
		+	[[Category:Stranggore Stories]]
		+	[[Category:Hywel Stories]]
		+	[[Category:William Robert Stories]]

@@ Line 32: / Line 32: @@
 ''Fair is the Lady Aveline who lives in wooded hall.''
-''A mortal guest I can attest came to this wooded sprall,''
+''A mortal guest I can attest came to this wooded sprawl,''
 ''Was taken from her blood and kin to be Sir Holy's thrall,''

@@ Line 1: / Line 1: @@
 ''A story where the Magus Hwyel sees that the Faire Lady Aveline keeps her word to cause no harm to the local villagers and in turn Hywel keeps his word to put her name to song. (On stage is Hwyel, Agnes, George, Eustice, Randolph, and William Robert.)''
-Hywel needs a ministral and not knowing where to turn he approaches the Bishop of Wells who has been friendly, some say too friendly, with the Wizards of Stranggore.  The Bishop suggests they meet up with Prince John's retinue at Malborough Castle and even provides a letter of introduction.  On the way Eustace foils a pickpocket then gets lost, Randolf loses a fight with a dwarf acrobat, George buys a token of affection for Valera, Hywel scares a tamed bear while conversing with its trainer's ghostly warder, and Agnes investigates the accuracy of the local fortune tellers.
+Hywel needs a minstrel and not knowing where to turn he approaches the Bishop of Wells who has been friendly, some say too friendly, with the Wizards of Stranggore.  The Bishop suggests they meet up with Prince John's retinue at Malborough Castle and even provides a letter of introduction.  On the way Eustace foils a pickpocket then gets lost, Randolf loses a fight with a dwarf acrobat, George buys a token of affection for Valera, Hywel scares a tamed bear while conversing with its trainer's ghostly warder, and Agnes investigates the accuracy of the local fortune tellers.
-At the castle, they join Prince John's Feast on a board far from the fire.  They find a minstral there who tells a stirring tale of a Welsh Giant who steals the Lord of Wells daughter.  Eyes turn on Hwyel, who oblivious to his peril and not knowing French, cheers at the end when the Giant wins.  Despite his Gift, he is not confronted because the minstral stirs up a rompus dancing song to lighten the mood.
+At the castle, they join Prince John's Feast on a board far from the fire.  They find a minstrel there who tells a stirring tale of a Welsh Giant who steals the Lord of Wells daughter.  Eyes turn on Hwyel, who oblivious to his peril and not knowing French, cheers at the end when the Giant wins.  Despite his Gift, he is not confronted because the minstrel stirs up a rumpus dancing song to lighten the mood.
-Hwyel sends for the minstral, William Robert, who plays a song for his table and then listens attentively to the Giant's plee for help.  Eustace keenly reads the performer, determining he is vain, and speaks of never ending fame that comes from the songs and stories of Wizards and Faeries.  This hooks in William Robert, along with the fact that he earned the ire of a noble after singing a love song to the wrong woman, and so he joins Hwyel's party.
+Hwyel sends for the minstrel, William Robert, who plays a song for his table and then listens attentively to the Giant's plee for help.  Eustace keenly reads the performer, determining he is vain, and speaks of never ending fame that comes from the songs and stories of Wizards and Faeries.  This hooks in William Robert, along with the fact that he earned the ire of a noble after singing a love song to the wrong woman, and so he joins Hwyel's party.
-They travel to Nunnery Hatch where William Robert hears the tale of Aveline's cruelty and how she would turn mortals into animals for her Lord's hunting pleasure.  Before composing her song, William Robert wishes to behold her to add substance to his words.  There he first beholds the tall white slender Lady with the cruel unkind eyes.  A lesser man would have ran but he was confident in his abilties and so he returns to the village and spends the night composing a song for Aveline.
+They travel to Nunnery Hatch where William Robert hears the tale of Aveline's cruelty and how she would turn mortals into animals for her Lord's hunting pleasure.  Before composing her song, William Robert wishes to behold her to add substance to his words.  There he first beholds the tall white slender Lady with the cruel unkind eyes.  A lesser man would have ran but he was confident in his abilities and so he returns to the village and spends the night composing a song for Aveline.
-They return to the wood and join the Lady's Court where they find a small mortal girl dancing for the pleasure of Sir Holy's knights.  Hwyel sees this as a breaking of the agreement that no harm would befall the local villagers.  Aveline argues in turn that no harm can come from dancing.  They reach a stalemate and tempers rise until young Eustace speaks up both insightfully and compasionately that human hearts can break from loss of loved ones, and that no doubt this girl's father will surely die of grief at the loss of his daughter.  This revelation turns not the Faerie heart, for they have none, but William Robert's who was until then content to let the girl stay.  With this change of heart he sings a new song to Aveline.
+They return to the wood and join the Lady's Court where they find a small mortal girl dancing for the pleasure of Sir Holy's knights.  Hwyel sees this as a breaking of the agreement that no harm would befall the local villagers.  Aveline argues in turn that no harm can come from dancing.  They reach a stalemate and tempers rise until young Eustace speaks up both insightfully and compassionately that human hearts can break from loss of loved ones, and that no doubt this girl's father will surely die of grief at the loss of his daughter.  This revelation turns not the Faerie heart, for they have none, but William Robert's who was until then content to let the girl stay.  With this change of heart he sings a new song to Aveline.
@@ Line 34: / Line 34: @@
 ''A mortal guest I can attest came to this wooded sprall,''
-''Was take from her blood and kin to be Sir Holy's thrall,''
+''Was taken from her blood and kin to be Sir Holy's thrall,''
-''To join the dance, with some recultance, this maiden light and small.''
+''To join the dance, with some reluctance, this maiden light and small.''
@@ Line 50: / Line 50: @@
 ''Fair is the Lady Aveline who lives in wooded hall.''
-''She heard his plee upon his knee for mortals one and all.''
+''She heard his plea upon his knee for mortals one and all.''
 ''Twas plain to see she heard his need as one cold tear did fall,''
@@ Line 63: / Line 63: @@
 ''And as I sang the girl did ran from Aveline's Fair hall,''
-''She was free, thanks to the plee, of brave Sir Hwyel.''
+''She was free, thanks to the plea, of brave Sir Hwyel.''
 Upon its end, Aveline's Song changes her story from cruel to kind, or at least to not as cruel, and she agrees to free the girl once the song is sung seven times in the seven villages surrounding her wood.  Once this was done, the girl and her father were reunited with much tears of joy, and to this day Aveline's Song is sung every Autumn so that Aveline keeps her word.

@@ Line 45: / Line 45: @@
 ''The wizard tall from Stranggore Hall his name is often called.''
-''The brightest star, the wisest of all, the Fair giant, Sir Hwyel.''
+''The brightest star, wisest of all, the giant Sir Hwyel.''
@@ Line 52: / Line 52: @@
 ''She heard his plee upon his knee for mortals one and all.''
-''Twas plain to see she heard his plee as one cold tear did fall,''
+''Twas plain to see she heard his need as one cold tear did fall,''
 ''Upon her cheek of silver beech I clearly do recall.''

← Older revision		Revision as of 20:21, 19 August 2012
Line 18:		Line 18:
	''She calls them forth to join her court when leaves turn brown and fall,''		''She calls them forth to join her court when leaves turn brown and fall,''

−	''To join a feast where all can eat, ~~and~~ dance and there revel.''	+	''To join a feast where all can eat, to dance and there revel.''

← Older revision		Revision as of 19:57, 19 August 2012
Line 18:		Line 18:
	''She calls them forth to join her court when leaves turn brown and fall,''		''She calls them forth to join her court when leaves turn brown and fall,''

−	''To join a feast where all can eat, and dance and revel.''	+	''To join a feast where all can eat, and dance and there revel.''

← Older revision		Revision as of 19:44, 19 August 2012
Line 18:		Line 18:
	''She calls them forth to join her court when leaves turn brown and fall,''		''She calls them forth to join her court when leaves turn brown and fall,''

−	''To join a feast where all can eat and dance and ~~have a ball~~.''	+	''To join a feast where all can eat, and dance and revel.''

← Older revision		Revision as of 19:35, 19 August 2012
Line 9:		Line 9:
	They travel to Nunnery Hatch where William Robert hears the tale of Aveline's cruelty and how she would turn mortals into animals for her Lord's hunting pleasure. Before composing her song, William Robert wishes to behold her to add substance to his words. There he first beholds the tall white slender Lady with the cruel unkind eyes. A lesser man would have ran but he was confident in his abilties and so he returns to the villiage and spends the night composing a song for Aveline.		They travel to Nunnery Hatch where William Robert hears the tale of Aveline's cruelty and how she would turn mortals into animals for her Lord's hunting pleasure. Before composing her song, William Robert wishes to behold her to add substance to his words. There he first beholds the tall white slender Lady with the cruel unkind eyes. A lesser man would have ran but he was confident in his abilties and so he returns to the villiage and spends the night composing a song for Aveline.

−	They return to the wood and joined the Lady's Court where they find a small mortal girl dancing for the pleasure of Sir Holy's knights. Hwyel sees this as a breaking of the agreement that no harm would befall the local villagers. Aveline argues in turn that no harm can come from dancing. They reach a stalemate and tempers rise until young Eustace speaks up both compasionately that human hearts can break from loss of loved ones, and that no doubt this girl's father will surely die of grief at the loss of his daughter. This revelation turns not the Faerie heart, for they have none, but William Robert's who was until then content to let the girl stay. With this change of heart he sings a new song to Aveline.	+	They return to the wood and joined the Lady's Court where they find a small mortal girl dancing for the pleasure of Sir Holy's knights. Hwyel sees this as a breaking of the agreement that no harm would befall the local villagers. Aveline argues in turn that no harm can come from dancing. They reach a stalemate and tempers rise until young Eustace speaks up both insightfully and compasionately that human hearts can break from loss of loved ones, and that no doubt this girl's father will surely die of grief at the loss of his daughter. This revelation turns not the Faerie heart, for they have none, but William Robert's who was until then content to let the girl stay. With this change of heart he sings a new song to Aveline.